A film by Rik Chaubet – in post-production
CAN I HAVE YOUR ATTENTION? IS THE MOST HONEST AND TOUCHING FILM OF 2026 (AND 2027!!!) ABOUT A YOUNG MUSICIAN IN BRUSSELS STRUGGLING WITH LOVE, LIFE, FRIENDSHIP AND SUCCESS. DOCTORS HATE THIS MOVIE!!! BECAUSE IT CURES ATTENTION DEFICITS! AND MAKES YOU APPRECIATE THE SMALL THINGS IN LIFE!!!
Author:
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CAN I HAVE YOUR ATTENTION?
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Synchronisations 2
In 2021 an improvised live set by Farida Amadou was filmed with a multicam setup of 3 camera’s. Out of this footage, editor-director Rik Chaubet cut a film in which he synchronized his editing-mindset with the mindset of Farida playing, called Synchronisation 1.
Almost 3 years later, Farida played an improvised duet with her younger self from the first film. While she performed live, her recorded improvisation accompanied her on the screen. This synchronization of sounds and images from the past and the present was once again documented with a similar multicam setup, which results in a sequel called Synchronisation 2.
Filmed, edited and produced by Rik Chaubet
Distributed by Dagvorm Films -

Under The Walnut Tree
A film by Adina Azar Khan – in production
Under the Walnut Tree: A Tale of Five Sisters is an intimate portrait of five sisters bound by a profound connection. At once deeply personal and quietly political, the film reflects the lives of women in Dagestan during two turbulent eras: the Chechen wars of the 1990s and today’s ongoing conflicts. Set in the small town of Kizilyurt, it is a poetic meditation on resilience, sisterhood, and survival in the face of violence and societal pressure.
Through the lens of a VHS camera, Madina—mother of the filmmaker—documented everyday moments before, during, and after her migration. Filmed during the volatile years following the collapse of the Soviet Union, this home footage offers rare glimpses into an inner world the sisters created for themselves—a sanctuary behind walls and woven carpets. In the quiet of birthday celebrations, New Year’s gatherings, and small, shared rituals, they found light amid the darkness.
Even within this closed domestic space, the outside world presses in: television broadcasts filled with Russian propaganda, the haunting call to prayer (azan), and whispers exchanged at the kitchen table.
Now, filmmaker Adina picks up the camera where her mother left off. Traveling between Belgium and Dagestan, she sets out to bridge generations and stitch together the stories of two eras—and two wars. With a tender, observant eye, she follows her mother and aunts closely, using audiovisual poetry and a blend of documentary and theatrical storytelling to reveal the unspoken, the hidden, and the quietly enduring.
Through old letters and archival footage that echo from the past, scenes of daily life in the present, and theatrical vignettes where each sister shares her dreams through the seasons, Adina crafts a moving portrait of interior lives—lives that were never given space to fully bloom, where the sorrow of repeated violence lingers just beneath the surface.
SUPPORTED BY THE FLANDERS AUDIOVISUAL FUND (VAF) OF THE GOVERNMENT OF FLANDERS
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Mouth Of Fire
A film by Giada Ciccheti – in production
Mouth Of Fire explores volcanoes as geological phenomena and their profound impact on surrounding ecosystems. Rather than presenting a traditional explanatory documentary, the director seeks to create a collage of materials collected from diverse sites, disciplines, and cultures, allowing the volcano to emerge as an archetypal figure. At the heart of the film lies the encounter between humans and volcanoes. The director’s challenge is to develop a cinematic language that enables the volcano and the landscape to speak with their own voice, moving beyond a human-centered perspective.
SUPPORTED BY THE FLANDERS AUDIOVISUAL FUND (VAF) OF THE GOVERNMENT OF FLANDERS
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Kapital Europe
A film by Ben De Raes – 2025 – 90′
During a hot summer, two migrant workers make their way around Brussels. Niki arrives and looks for work, while Reginald is disillusioned and wants to leave. By focusing the camera on their labour and the everyday, ‘Kapital Europe’ blurs the line between fiction and documentary. The film explores a metropolis of our time, both unique and generic. In that metropolis, the capital of Europe, is haunted by two ghosts, that of Capital, and that of Resistance. But who holds the key?
‘Kapital Europe’ is a social realist story as well as a documentary portrait and a visual meditation. Destiny brings people together against the backdrop of an individualised 21st century, where friendship is a possible form of hope.
supported by the Flemish Audiovisual Fund (VAF) and the Belfian Tax Shelter
in co-production with Rayuela Productions -

Acts Of Care
A film by Constanze Wouters – 2025 – 28′
When terminating a pregnancy is seen as an act of care, new conversations can begin. Care for yourself, care for a partner or care for future choices. One in five Belgian women decides to terminate her pregnancy. Abortion in Belgium is safe, easily accessible and almost free: rights hard fought for. This poetic documentary talks about the obviousness of the possibility to decide to be a parent or not. But also about the wounds that this choice might still cause. In ‘Acts of Care‘ five characters recount their experience, vulnerable yet powerful, hoping to better understand and love each other.
SUPPORTED BY THE FLANDERS AUDIOVISUAL FUND (VAF) OF THE GOVERNMENT OF FLANDERS, VGC AND FONDS PASCAL DECROOS
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Et Leurs Lettres
A film by Mieriën Coppens & Elie Maissin – 2023 – 25′
Hundreds of summons letters arrive at the occupied building of La Voix des Sans Papiers. With care, Kandé and Taslim sort and distribute the letters to the occupants who will later appear in court. The corridors of the courthouse echo with the sounds of an occupation.
with Doulo Kandé en Mamadou Taslim DialloSUPPORTED BY THE FLANDERS AUDIOVISUAL FUND (VAF) OF THE GOVERNMENT OF FLANDERS
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Hallo Liebe
A short by Margo Mot – in production
Luca (13) joins her father and stepmother on holiday at a luxurious resort. Out of place with her pale skin and worn-out clothes, she tries to find her footing in both the family dynamic and the artificial world of the all-inclusive hotel.
When her father mocks her growing underarm hair, telling her to shave so she doesn’t end up “like one of those alternative German women,” something shifts. That night, Luca shaves for the first time—and becomes painfully aware of her changing body.
As she trades playfulness for self-consciousness, her father’s words haunt her. Who are these women he’s warning her about? After an uneasy kiss on the beach, they begin to take shape in her imagination—and in the resort, where wild nature quietly starts to push through.
SUPPORTED BY THE FLANDERS AUDIOVISUAL FUND (VAF) OF THE GOVERNMENT OF FLANDERS
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In All Kinds Of Weather
A film by Constanze Wouters – Rob Jacobs
A group of young climate activists sail from Western Europe to South America with the intention to attend the world’s largest climate summit. During their turbulent journey over sea and land, Anuna, Adelaïde and Jozefien make a podcast about climate justice.
directed by
Constanze Alma Wouters & Rob Jacobs
produced by
Collectif Faire-part & Dagvorm Films
co-produced by
deSingel
Het Bos
Alizé Productions
in collaboration with
Youth for Climate
Sail to the COP
Amazonia Centro do Mundo -

Waiting Working Hours
A short by Ben De Raes – 2019 – 16′
The street “Diksmuidelaan” is a street in Brussels where day laborers are looking for a job for one day. Gathered in small groups, they wait for hours until a white van picks them up. They get dropped off at a construction site or field. Employers pay small salaries and no social security is provided.
With personal their testimonies Waiting Working Hours wants to give a voice to clandestine workers. Digital images from the “Diksmuidelaan”, made with recordings from Google Streetview, are mixed with the voices from these workers. Together they form a constructed dialogue about labor and economics, in a multitude of languages. The immobile world of Google Streetview is like the standstill that the workers experience when they are waiting for hours.
Together with the workers, Waiting Working Hours examines and questions their current situation and their dreams for the future.SCREENED AT
Encounters Festival, Bristol
Beursschouwburg, Brussels
Argos, centre for audiovisual media, Brussels
Visite , Antwerp
BRUZZ, online
Working Title Festival (Best Extraworks), Vicenza
Architecture Festival ’21, Brussels
Urban Visions ’22 (Special Mention), BolognaSUPPORTED BY THE FLANDERS AUDIOVISUAL FUND (VAF) OF THE GOVERNMENT OF FLANDERS
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The Potato Eaters
A film by Ben De Raes – 2016 – 30′
The Port of Antwerp at night and a series of letters by Vincent van Gogh combine in a poetic film, an modernist interpretation van Gogh’s famous painting “The Potato Eaters” (1885). The film aims to be an alternative way of looking at economics by radicaly focusing on human bodies at work and at rest, their gestures, efforts and breaks.
Direction, Camera, Edit Ben De Raes
Sound Mathijs Poppe
Sound editing Simonluca Laitempergher
KASK / School Of Arts – Graduation Film